Fastdrawn Films Draw It Fast

Its looking a lot smoother, but there are some timing issues and it needs some more anticipations before the bounding moves. The bouncing ball compresses and how it speeds out. Focus on certain things to maximise the success of this shot. First the timing and then the anticipation and then some more things after that. I want to give you a focused list.
Timing and anticipation are hand in hand and they are both going to change how the actions feel. When the character does this anticipation at the beginning you need to hold it for about two frames more so that it reads a little longer before it takes off.
When he starts to take off his feet should still be on the ground and he should be pushing himself off with his feet. Right now he looks like he is just hovering because we do not feel that contact as he is pushing off into the air as he starts to jump.
When he hits with his hands on the somersault for the first time there is a bit of compression but we need a bit more. Get his head as low as we can go without actually going into the ground and if his arms can bend too that will really help too. We just really need to feel that compression down before taking off again.
When he comes out of the hand jump and back upright on to his feet also it needs two more frames. I odnt mean freeze it. Have that key pose with a little motion going through the pose but that key pose is visible because its just important to feel that anticipation on that one.
On the second jump out of the somersault put a couple more frames in.
We need more anticipation before the jumps.
On the take-off for the cartwheel the foot seems like a bit slow. It probably just two frames but maybe if you actually keep the legs down, then at the top of the arc get the legs up a little bit higher perhaps it would feel a little bit more dynamic and his legs are moving a little faster. That might help too.
On the hands when he hits the ground it feels like the body should be moving forward when the second hand hits the ground so that needs adjustment too.
When he hits with the arms get that elbow compression and have a couple of frames of that before jumping off again.
At the end when he is landing put a couple of frames between 82 and 83.
On the two somersaults on the hands they are too slow and they need to lose a couple of frames on each.
On the two hops they are too quick and so you need to lose a couple of frames in there.
Then on the last jump you need to put in a couple of frames at the end.
So some timing adjustments and some anticipation is needed.
On the first jump remember when a character leaves the ground their hips lead while their feet are still on the ground. Your legs are powered and they push your hips. Your hips are moving first and then your feet are going to follow behind. We really need to feel like that on the jumps.
You also need to make some adjustments to the poses. On frame 41 to 45, just sticking out to the side does not feel natural. It needs to be more flexed, same thing happens later. Its most hips and feet you need to solve but if you can do a pass on the hands that would be great. I would recommend though focusing on getting the timing and anticpation right and making it really solid in terms of timing. Then maybe do a pass on that arm that is sticking out a little bit or on both hands if you can.